My work emerges from the belief that images can hold frequency — that they can transmit the quiet shifts of consciousness occurring within us and the world around us. I am drawn to moments where beauty appears unexpectedly: a gesture, a fragment, a landscape, a fleeting emotion. These moments become invitations, asking to be held, examined, and transformed through my hands. Across painting, Polaroid emulsion lifts, mixed media, and short-form digital works like, my practice traces the subtle movements between hurt and healing, rupture and repair.

At the core of my work is the instinct to move first from intuition — to follow what feels alive, let it shape me, and then offer the clarity that comes from that process. I often think of the Water Bearer: a figure who doesn’t preach, but pours. My art follows that gesture. Each piece becomes a vessel carrying insight, emotional truth, and the energetic residue of transformation. Through the analogue tactility of Polaroid skins, the layered surfaces of paint, or the contemporary language of social video, I treat imagery as a form of transmission — a way of raising consciousness through softness rather than force.

In Between Hurt & Healing sits at the heart of my practice. It explores how growth happens in liminal spaces: not in moments of perfection, but in the messy, tender intervals where we are still learning to hold ourselves. Works like the Sexual Healing and Sanctuary series map this process through color, texture, and repetition, using the materiality of Polaroid film as a metaphor for vulnerability and transformation. As the emulsion stretches, tears, settles, or resists, it mirrors the emotional landscapes I’m exploring.

With Source Message, I extend this inquiry into the present tense of digital culture. Using short-form video — a medium native to our time — I collect moments of lived beauty and overlay them with language that has shaped my own healing. The piece becomes both archive and altar: a record of the consciousness I’ve been cultivating, and a reflection of how meaning travels through contemporary channels. It acknowledges that spiritual evolution now coexists with algorithms, that transformation can appear in a fleeting clip as much as in a sacred text.

Ultimately, my purpose is simple: to create work that opens something. A pause. A breath. A subtle shift in awareness. In an era defined by rapid change, I aim to make art that offers the viewer a moment of clarity — an invitation to soften, to witness themselves, and to remember what is possible when we allow beauty, curiosity, and consciousness to guide us.